When Broadway’s Imperial Theatre was transformed for the 360-degree musical, NATASHA, PIERRE & THE GREAT COMET of 1812, Sound Designer Nicholas Pope was presented with some serious audio challenges. To start, he had the daunting task of delivering an exceptional sonic experience to everyone in attendance at what is a uniquely laid out theatre. To help him meet some of the show’s hefty audio demands, he turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, for a custom audio equipment package.
“I’m quite certain no sound system like the one that Nicholas Pope designed and Masque Sound supplied has ever been incorporated into a Broadway musical,” said Sonny Paladino, Music Supervisor for NATASHA, PIERRE & THE GREAT COMET OF 1812. Read More…
